The Black Ball, inspired by an unfinished play by Federico García Lorca, will be a queer vindication about three men in three different moments of Spanish history: 1932, 1937, and 2017.

After the Ball, a retail fairy tale set in the world of fashion. Kate's dream is to design for couturier houses. Although she is a bright new talent, Kate can't get a job. No one trusts the daughter of Lee Kassell, a retail guru who markets clothes "inspired" by the very designers Kate wants to work for. Who wants a spy among the sequins and stilettos? Reluctantly, Kate joins the family business where she must navigate around her duplicitous stepmother and two wicked stepsisters. But with the help of a prince of a guy in the shoe department her godmother's vintage clothes and a shocking switch of identities, Kate exposes the evil trio, saves her father's company -- and proves that everyone can wear a fabulous dress.

A live stand-up comedy and music gig to celebrate Amnesty International's 50th Anniversary.

A series of benefit shows staged initially in the United Kingdom to raise funds for the human rights organisation Amnesty International. The shows started in 1976 featuring popular British comedians but later included leading musicians and actors. The Secret Policeman's Ball shows are credited by many prominent entertainers with having galvanised them to become involved with Amnesty and other social and political causes in succeeding years.

A series of benefit concerts to raise money for Amnesty International. Performances include comedy skits and musical numbers by a varied cast of mostly British performers. Featuring several Monty Python members, Rowan Atkinson, and Peter Cook.

The Secret Policeman benefit shows for Amnesty International brought together comedy grand masters - from Python and Beyond the Fringe - and performers then relatively unknown, like Rowan Atkinson. Narrated by Dawn French, the programme includes interviews with many of the comedians and musicians who took part: John Cleese, Stephen Fry, Michael Palin, Sting, Lenny Henry and many more. The shows and their stars had a huge effect on modern British comedy. There are few comics today whose careers have not been heavily influenced by the anarchic and surreal humour of these events.

Throughout the 1900's, before Jackie Robinson broke baseball's color barrier in 1946, black baseball talent blossomed in the Negro Leagues. Baseball buffs still sing the praises of Josh Gibson who could be counted on to hit 70 homeruns in a season, and Satchel Paige who pitched over 100 no-hitters in his career. Only the Ball Was White pays tribute to the many topflight players from the Negro Leagues. Narrated by actor Paul Winfield, the program documents a bygone bittersweet era in baseball and the men who were denied stardom by the color line. Ballplayers throughout the country were interviewed for this program, all of them quick to tell tales of the life, the competition, and the camaraderie. These include: Satchel Paige, Roy Campanella, Buck Leonard, Jimmy Crutchfield, David Malarcher, Effa Manley, and Quincy Trouppe.

Returning to mark Amnesty International's 50th anniversary, The Secret Policeman's Ball 2012 is bigger than ever as some of the world's best comedians and musicians team up for an evening of original, cutting-edge entertainment. 　　This year's Secret Policeman's Ball takes place in March at New York City's Radio City Music Hall, featuring an all-star cast of music and comedy talent. Among the line-up of British and American talent are Coldplay, Russell Brand, Jon Stewart, Stephen Colbert, Mumford & Sons and Reggie Watts. 　　UK and US stars featuring in the celebration of free speech and Amnesty International's 50th anniversary include Noel Fielding - who will be reunited on stage with Russell Brand - Sarah Silverman, Jimmy Carr, Statler and Waldorf from The Muppets, Micky Flanagan, Jack Whitehall, Jason Sudeikis, David Walliams, Seth Meyers and Kristen Wiig. 　　Established in 1976, The Secret Policeman's Ball uses anarchic humour to throw a spotlight on human rights abuses and celebrates the right to free speech through comedy and music.

Paul and Jennifer Hemdale have just moved into their dream house. But their happy marriage is about to be put to the test as they slowly discover the secret behind the black room in the cellar. Something else is already living in their new home and it is growing stronger every day.

“In The Black Tower we enter the world of a man haunted by a tower which, he believes, is following him around London. While the character of the central protagonist is indicated only by a narrative voice-over which takes us from unease to breakdown to mysterious death, the images, meticulously controlled and articulated, deliver a series of colour coded puzzles, jokes and puns which pull the viewer into a mind-teasing engagement. Smith’s assurance and skill as a filmmaker undercuts the notion of the avant-garde as dry, unprofessional and dull and in The Black Tower we have an example of a film which plays with the emotions as well as the language of film.” 　　----Nik Houghton, Independent Media 1987